Resonator are a cool instrumental band from across the lake. Aquarius Records is an awesome San Francisco music store.

Now the two are aligned:

RESONATOR Lost Language (Human Identity Recordings) cd 14.98   

The first few seconds of Lost Language, a blast of fuzzy crumbling distortion will have you expecting the latest slab of monster sludge, or a blast of pummeling downtuned brutality. And the bands pedigree might have you expecting something similar, guitarist Larry Dolan produced the debut full length from metallic post rockers Tides and drummer Mikey Lemieux used to bash the skin for metalcore heavyweights Drowningman. But what you get instead is some killer, super propulsive, slightly mathy, but very moody, instrumental rock, that harkens back to bands like Pell Mell. There’s all sorts of definite reference points, Pell Mell is the most obvious, a simultaneously laid back and caffeinated burst of super energetic mathy groove. But can hear lots of nineties indie rock, plenty of SST, a bit of Tortoise, some Minutemen for sure. Surf rock guitars are wound tight beneath thick splashy swirls of open high-hat and frenetic almost funky drumming, the bass is sometimes slithery and dark, sometimes rubbery and almost dub like. Some tracks stretch into languid epics, others fly by, a manic expulsion of chaotic energy. Once in a while they sound a little like a less Joy Division obsessed Interpol, but again with that nineties instrumental rock vibe. The final track is the show stopper, a near half an hour epic, that almost sounds like the band took the first seven tracks and rearranged, reshaped, and reimagined them into one lengthy jam, keening angular riffs, wildly chaotic drumming, a hypnotic neverending epic, with cool backwards guitars, some My Bloody Valentine swoosh, the whole thing constantly shifting from full blown overdrive, to laid back lope, and back again, until the whole thing fades to a haunting soundscape of minimal guitar drone. Finally, a simple tribal rhythm emerges, and the track unwinds, a slowly decelerating coda, all muted rhythmic rumble and barely there melody. So cool.

Very cool to see.

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About the author

Casey Rae-Hunter
Casey Rae-Hunter is a musician, public policy wonk and the editor/publisher of The Contrarian Media. An in-demand speaker, he gives frequent talks at conferences and campuses on issues at the intersection of creativity, technology, policy and law, and is a go-to source for major media outlets from NPR to the New York Times. Casey works alongside leaders in the music, arts and performance sectors to bolster understanding of and engagement in key policy and technology issues, and has written dozens of articles on the impact of technology on the creative community. Casey is an adjunct professor at Georgetown University and the Deputy Director for Future of Music Coalition. He also serves on the Board of Directors of the Media & Democracy Coalition and the National Alliance for Media Arts and Culture. The Contrarian does not necessarily represent the views of the organizations to which he belongs.

1 Comment for Go Plattsburgh!

Larry Dolan

Casey,
Hey thanks for posting that little nugget. We were really psyched about that review of our record and being a pick of the week for their store. It was a good vote of confidence.
Larry