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(Jennifer’s) Body of Evidence

Posted by: Casey Rae-Hunter    Tags:  Amanda Seyfried, An American Werewolf in London, Comedy, Diablo Cody, Feminism, horror, Jenifer's Body, Juno, lesbians, Megan Fox, Satire, teens    Posted date:  December 30, 2009  |  11 Comments

JB

We watched Jennifer’s Body last night, fairly expecting to be entertained, but somewhat cautious just the same. Turns out it’s brilliant, but the victim of unfortunate marketing. Here’s my take on what went wrong (and right).

————————————–

Generic reasons to have skipped Jennifer’s Body

1. Megan Fox
Megan is an interesting gal, as evidenced by this recent New York Times Magazine profile, in which she’s revealed to be crazy. . . LIKE A FOX! Through some fault of her own, Megan has become the pinup girl for the Maxim-reading, Axe Bodyspray-wearing set, a fact that did nothing to boost the box office for Jennifer’s Body: a horror movie pulling triple-duty as an arch observance of teenage femininity and send-up of pop-culture. Young women should have been the target audience here, even if JB is one of the more authentically scary movies I’ve seen in a while. Yet the ladies — who otherwise would’ve dragged their loser boyfriends to see it, “cuz it’ll be fun!” — were put off by the sleazy marketing campaign, which centered entirely on Megan Fox’s come-hither sluttiness. Everything from the trailer to the poster reeks of sleazy opportunism, only a notch classier than a late-night “Girls Gone Wild” advertisement. So, even with Megan’s “hotness,” the fellas could not be bothered to stop playing Call of Duty XII and get their bongwater-soaked asses to the theater. Not without the all-important girlfriend catalyst, which did not manifest. Will Hollywood never learn that marketing takes half a brain? Repeat after me: Fear and Loathing in Las Vegas is NOT a buddy road comedy.

2. Audiences are tired of slick Hollywood horror
I think the thrill is gone with assembly-line fright flicks. Not that Jennifer’s Body is one of those, but you can’t tell from the marketing. In addition to Megan Fox, this movie had the lovely and talented Amanda Seyfried (full crush disclosure), Amy Sedaris and JK Simmons! Plus a cast of younglings who could actually act and played their parts to the hilt. Yet you’d never guess any of this from the promotional push.

————————————–

Legitimate reasons to have skipped Jennifer’s Body

1. Diablo Cody
Everyone’s favorite 1980s-fixated stripper-turned-screenwriter is a charmed hack. But she does have an imagination. And when her words match her vision, clever things have been known to happen. On the other hand, she’s overexposed and gets way too much attention (which she clearly craves). It’s one thing to have charm and wit; it’s another to bludgeon audiences with self-congratulation over the fact. I almost walked out of Juno due to precocious overload, but after the first 30 minutes, Cody’s script stopped trying so goddamn hard and found its footing. So, if you avoided Jennifer’s Body because of its cause célèbre screenwriter, I don’t blame you one bit. But you’re missing out on one of the the sassiest talkies of the year.

2. Megan Fox (see top entry)

3. Looks stupid
You know, The Proposal looks stupid, too, but people went to see it in droves for some reason that I cannot fathom. And, although they have nothing in common besides the fact that they are movies, Jennifer’s Body is infinitely smarter than Avatar. Oh, by the way, don’t tell me you don’t watch faux-indie rom-coms like 500 Days of Summer — a movie that put me off doe-eyed Zooey Deschanel like she was the bearer of a deadly avian flu strain. Those flicks  are WAY dumber (not to mention predictable and condescending). By contrast, JB may look stupid, but I guarantee it’s a lot more clever than the last five flicks you’ve seen. Still, I can see why you’d make the mistake. So you’re forgiven. But NOT for that week when you wouldn’t shut up about Garden State.

————————————–

What Jennifer’s Body really is

1. One of the snazziest horror-comedies ever made.
This is a hard subgenre to get right, and most of the flicks that do end up becoming slow-burn cult classics. Take An American Werewolf in London, for example. That movie had a similar tone, walking a fine line between satire, silliness and straight-up horror. Audiences at the time (1980) were not prepared for a movie like that, perhaps due to the prevailing “who put chocolate in my peanut butter” attitude that marked the Reagan Years. I guess we haven’t advanced all that much. People liked Clueless and Mean Girls just fine. Some were even down with the remake of The Hills Have Eyes (Seyfried alert!). But put ‘em together, and there’s just confusion. People are dumb.

2. Charming, expressive, scary and, yes, sexy
All of the characters have a chance to shine here, from Megan Fox’s titular ho-bag to the “indie” band to the chump boyfriends to the perma-hungover moms. Much has been made of the Sapphic scene between Seyfried and Fox. I’m not one of those fellas who’d recommend a movie because of a “lesbian makeout session,” but if you’re gonna watch ONE scene with two attractive young women swapping spit (along with vitriol, and bafflement and dejection), make it this. Keep in mind the context: Jennfer’s Body is about the phenomenon of feminine friendship and the confusion and loathing (self and otherwise) it can inspire. Like Fast Times at Ridgemont High and the more recent Adventureland, JB refuses to portray young adults as hormonally-afflicted caricatures. There’s a tenderness here, beneath the flesh-rending and demonic gobbledegook. But that stuff’s awesome, too. And you GOTTA see the “indie” band scene. It’s for the fucking ages, trust me.

————————————–

In summation, rent this movie, recommend it to friends and do your part to ensure that Jennifer’s Body attains the cult status it so rightly deserves.


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About the author
Casey Rae-Hunter
Casey Rae-Hunter is a musician, public policy wonk and the editor/publisher of The Contrarian Media. An in-demand speaker, he gives frequent talks at conferences and campuses on issues at the intersection of creativity, technology, policy and law, and is a go-to source for major media outlets from NPR to the New York Times. Casey works alongside leaders in the music, arts and performance sectors to bolster understanding of and engagement in key policy and technology issues, and has written dozens of articles on the impact of technology on the creative community. Casey is an adjunct professor at Georgetown University and the Deputy Director for Future of Music Coalition. He also serves on the Board of Directors of the Media & Democracy Coalition and the National Alliance for Media Arts and Culture. The Contrarian does not necessarily represent the views of the organizations to which he belongs.




11 Comments for (Jennifer’s) Body of Evidence

Ken

I’m struggling to get past legitimate reason #3. However, I like how you did this review, and I can’t tell if it’s because of the writing or that I fell victim to it’s irresistible listy format.

Casey

As modern publishing has proven, the only thing more irresistable than lists are “charticles.” Alas, I lack the technology.

JB

been wanting to check this one out. i recently saw 500 days of summer, & i agree with you about zooey- i used to love her, but after this movie i wanted to punch her in the face. but joseph g-l was pretty good

Barry

I finished watching this movie this morning before work, a few hours prior to reading your review, and genuinely enjoyed it. After the negative press I read about it, I was surprised at how good it was. I’m glad to see that I’m not alone in appreciating it.

Molly

Eehhhhhnnnn… I respectfully disagree.

The “sleazy marketing campaign” didn’t factor into my perception. I only get three magazines, Vogue, Popular Mechanics, and Fangoria. Fango covered JB as a horror movie, not a Megan Fox movie. I was not aware of her existence prior to this film.

I never saw Juno.

I’m not put off by stupid-looking horror.

Anyway, these are all reasons why I was not colored against the film going into it. I was actually really excited to see something original written by someone reputed to be a smart, funny screenwriter.

But it was so… blah. I didn’t actively hate it, I just felt like it was weak in every important aspect except possibly the acting.

I like lots of horror comedies* and Jennifer’s Body inspired none of the reactions I need to experience in a good horror comedy: laughter, horror, and general interest. I didn’t think they got the horror/comedy balance wrong, I just thought it was comprehensively weak.

For a great horror comedy about movie about the trials of teenagerdom, emerging sexual identities, crazy hormones, clueless parents, and the quasi-parasitic relationships between young women as portrayed through the lens of supernatural metamorphosis I’d nominate the awesome Canadian werewolf flick Ginger Snaps. It succeeds in every way that JB fails.

* American Werewolf in London, Evil Dead, Creepshow, Gremlins, Night of the Comet, Fright Night, Re-Animator, Killer Klowns from Outer Space, Return of the Living Dead, Braindead, Dusk ’til Dawn, Shaun of the Dead, Slither, Teeth, etc.

Casey Rae-Hunter

Interesting coincidence, Barry, and thanks for swinging by.

Molly, I had a feeling you’d bring up Ginger Snaps. I wasn’t the biggest fan when it came out, as I saw what it was going for, but it seemed kind of strained. I’m gonna watch it again tonight, to see if maybe I give it more credit this many years (and so many shitty horror films) after the fact.

Frightening Videos

Yeah, you are right, the thrill is gone with assembly-line fright flicks.

Neil C

Just gonna say on this tip: Teeth. Anyone seen it? Vagina Dentata Teen Sex Comedy/Horror flick. While my memories of it are not all that clear, I remember liking it, or at least I remember not disliking it. Plus it’s definitely one of a kind. In fact, I’m gonna go out on a limb and say that’s a recommendation. Feeling kinda tentative tonight.

casey

I vaguely remember that flick’s existence, but I never saw it… It’s now in my Netflix queue.

Molly

Teeth was in my list of horror comedies that I like. I would certainly recommend it.

The IT Crowd | The Contrarian

[...] by Casey’s post, let me nominate for cult status the relatively-new BBC sitcom The IT Crowd (yeah, I wondered too: [...]






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