• Home
  • LUX ETERNA RECORDS
  • About Us
  • Contact

  • Culture
    • Music
    • Critical Condition
    • Sex & Mayhem Report
    • Metal!
    • Nostalgia
    • LUX ETERNA RECORDS
    • Live Music
    • Pop?
    • Avant-Garde!
    • Soul!
    • Records
    • The Biz
    • Rock?
    • Recording
    • The Contrarian
  • Media
    • Series of Tubes
    • Television
    • Comics
    • Conspiracy!
    • Poetry
    • Art
    • Journalism
    • Literature
    • Film
    • GameDrain
    • Copyright—Fight—Left
    • Video
  • Metaphysics
    • Behavioral Science
    • Buddhism
    • Atheism
    • Derangement
    • H+
    • Lovecraft Haiku
    • Magick
    • Mysticism
    • Sci-Fi
    • Religion
    • Paranormal
    • Eeeeevill!
    • We’re All Gonna Die!
    • Apocalypse!
  • Politics
    • America
    • Foreign Affairs
    • Current Events
    • Ethics
    • Our Sad Society
    • Intelligence?
    • History
    • Economics
    • Scam-tastic!
  • Allsorts
    • Technology
    • Complaining
    • Science
    • Too Fucking Cute
    • Podcasts
    • Linkdumps
    • Absolutely Unrelated
    • LOLZ
    • Drink
    • Vague Announcements
    • Travel
    • Teh Hotnezz
  • Scribes
    • Carrie Stanziola
    • Bill Simmon
    • Dr. Agamemnon Cox
    • Casey Rae-Hunter
    • Chris Parizo
    • Wes Covey
    • Arthur Leon Adams III
    • Neil Cleary
    • Molly Hodgdon
    • Cartomancer Carolyn

PirateBox vs. FreedomBox

Posted by: Casey Rae    Tags:  Copyright, Egypt, freedom, Freedom Box, intellectual property, Internet, Pirate Box    Posted date:  February 18, 2011  |  No comment

Intellectual Property vs. Piracy. Security vs. Openness. Online Freedom vs. Internet Totalitarianism. Two examples of essentially the same tech — the PirateBox and the FreedomBox — capture the cognitive dissonance of the Information Age.

First up: the jihadists of the copyleft, who have designed PirateBox: a portable device for the purpose of creating ad-hoc file-sharing networks. Never mind that it looks like a goth girl’s lunchbox. From the project wiki:

Inspired by pirate radio and the free culture movements, PirateBox utilizes Free, Libre and Open Source software (FLOSS) to create mobile wireless file sharing networks where users can anonymously share images, video, audio, documents, and other digital content.

…PirateBox is designed to be private and secure. No logins are required and no user data is logged. Users remain completely anonymous – the system is purposely not connected to the Internet in order to subvert tracking and preserve user privacy.

…using the PirateBox is easy. Simply turn it on and transform any space into a free file sharing network. Users within range of the device can join the PirateBox open wireless network from any wifi-enabled device and begin uploading or downloading files immediately.

That tracks with what some of my associates, including legendary producer/professor Sandy Pearlman, have been saying for some time: intellectual property enforcement is futile due to “the paradise of infinite storage” and soon-to-be ubiquitous micro networks. (Along these lines, I’ll be moderating a conversation called “The Future of Music: Is There One?” with Mr. Pearlman and other geniuses at both Canadian Music Week and SXSW in March.)

Let’s look at FreedomBox, created by Columbia professor Eben Moglen as a response to foreign government shutdowns of internet access points (most recently Egypt). The New York Times reports:

Put free software into the little plug server in the wall, and you would have a Freedom Box that would decentralize information and power, Mr. Moglen said. This month, he created the Freedom Box Foundation to organize the software.

“We have to aim our engineering more directly at politics now,” he said. “What has happened in Egypt is enormously inspiring, but the Egyptian state was late to the attempt to control the Net and not ready to be as remorseless as it could have been.”

This fits squarely with what the American government has been saying about the importance of open communications platforms to the cause of democracy. Yet the inspiring words of Secretary of State Hillary Clinton are seemingly at odds with other administration and legislative efforts to expand the government’s powers to combat intellectual property infringement. (The Department of Homeland Security has its ICE web domain takedowns; there’s also a bill in Congress that would expand Department of Justice powers to do much the same.)

Reminds me of that ancient Chinese proverb/curse: “may you live in interesting times.” And as one of the biggest infringers of intellectual property on the planet, they should know…


    Share This
About the author
Casey Rae
Casey Rae is a musician, public policy wonk and the editor/publisher of The Contrarian Media. An in-demand speaker, he gives frequent talks at conferences and campuses on issues at the intersection of creativity, technology, policy and law, and is a go-to source for major media outlets from NPR to the New York Times. Casey works alongside leaders in the music, arts and performance sectors to bolster understanding of and engagement in key policy and technology issues, and has written dozens of articles on the impact of technology on the creative community. Casey is an adjunct professor at Georgetown University and the Deputy Director for Future of Music Coalition. He also serves on the Board of Directors of the Media & Democracy Coalition and the National Alliance for Media Arts and Culture. The Contrarian does not necessarily represent the views of the organizations to which he belongs.



Related Posts

A Disturbance in the Force
Internet policy is probably not at the forefront of most people’s minds. Which is mostly a good thing, because it indicates that wide swaths of humanity have come to see the 'net as akin to a public utility, if not a basic...


When Termination is a Good Thing
[A version of this post also appears at the Future of Music Coalition blog] You may have noticed a series of articles in the New York Times Arts section about musicians and songwriters getting their copyrights back...


The Turtles vs. The Library of Congress
Backstory: [Wikipedia]: In 1989, sixties pop group The Turtles sued hip-hop band De La Soul for using a sample from their 1969 hit "You Showed Me" for the interlude track "Transmitting Live from Mars," despite the fact...


Wanna say something?





  Cancel Reply

« Arcade Who? The Monoculture and Political Paranoia
Blogging is Dead, Long Live Blogging »
  • Heroes and Villains

    • Genomicon
    • Astral Spit
    • Norton Analog
    • Garamania!
    • Perfect Day Media
    • Blog-Sothoth
    • Autistic in the District
    • Charles Stross
    • TheContrarianMusic.com
    • CASH Music
    • OMNIL
    • Bradley’s Almanac
    • Candleblog
    • Diabologue
    • FlawedArt
    • Future of Music Coalition
    • J. Cole
    • Liquid Sunshine
    • Pure Pop Records
    • Undead Molly
    • Sentient Developments
  • Buck Dharma

    • Hardcore Zen
    • The Buddhist Blog
    • Tricycle Blog
    • Shambhala Sun Space
    • Progressive Buddhism
    • Buddhist Geeks
  • Careful!

    • Erik Davis/Techgnosis
    • Austin Osman Spare Archive
    • Disinformation
    • Greylodge Occult Review
    • IOT North America
    • Skeptic Magazine
    • The Burning Taper
    • The Gnosis Archive
    • R.A. Wilson
    • Thelema
    • Purging Talon
    • Reality Sandwich
    • Guruphiliac
    • The Lovecraft News Network
    • The Daily Grail
    • Hermetic.com
    • What Thou Wilt
  • Reads

    • Zen Twist
    • The Atlantic
    • The Daily Dish
    • Accelerating Future
    • Washington Monthly
    • Wired: Epicenter
    • Wired: The Underwire
    • Washington City Paper
    • StreetTech
    • Black Plastic Bag
    • The Eyeless Owl
    • T.M. Camp
    • FingertipsMusic
    • Dusted Magazine



 

 
No one ever went broke underestimating the intelligence of the American public. ~ H.L.Mencken